flujo, flow, adn, genetica, cerveza, beer, will, voluntad Blagui's drawings take into account what #Deleuze lucidly explained. The difference is separating from the background. In this drawing the figure emerges from the black background. It is a Blagui that springs from the darkness. This in Niversu Blagui drawings means that being is constituted from irrationality. And therefore emerges from the Dionysian.

Many individuals come together to start a coexistence. In the drawing, individuals are represented only with faces. The faces are arranged according to an invisible progressive radial pattern. This pattern is a scaffolding that has a center and expands to a periphery. The center is power. Each individual manifests in his cell. Some faces are shown frontally, and others in profile.

However, since they are all densely grouped in a mass and this mass inside a can of beer, it is the alcohol contained in the can that provides them with the stimulus to leave their comfort zone and project themselves, to flow dynamically. Just like it can happen in any bar. Forget yourself and stop being. Projecting towards non-being, to lose shape and become blurred. Start the “download” of Canetti. The beer can as a container also transmits the message that gives identity to the social mass it houses. The beer can represents those who share a common culture.

The hyper-consumer culture, and extended transversally to all classes, on the one hand, and on the other hand also the culture of the industrialization of life. Both are part of the current accelerated frenzy of our drift as humanity. And from here, the entire social group or body is crossed and traversed by DNA iconography. Genetics then is an emergent trait in the social body, it arises precisely from the interactions of the nodes with each other. In a cumulative way until from a simple sum of the parts, something greater than each of them emerges. This is the genetics that transcends each individuality.

The faces have in any case, a frontal shield and a rear shield. The faces are between both shields. And the shields are part of them indivisibly. The arrows mark the direction in which you start the projection from yourself.

This social complexity is the party, the court, the public scene. It has also been approached by Faljano. Niversu's interpretation, as we already know, will always be more inclined to the ONE, to whom he seeks comfort and control. The individual who gives up his freedom to enjoy comfort. This is Heidegger's anonymous Dasman.

At the bottom of the drawing there are alarm beacons, colored red. They symbolize pure emergency. Emergencies jump in when you panic about danger. They jump when there is a disagreement, barriers, obstacles, and the communication plans do not level or do not align. In such cases, there are only senders and no receivers. On the contrary, at the top, there are candles, They symbolize the bright and lucid moments of human and social interactions. They light up when the exchange is achieved, and when the dialogue and communication is fluid.