"PENDULO"
Obra original, - Grafito
- Lápiz
- Tinta
sobre Papel, Pieza única
Precio: 3.000 €
Resumen de la obra original
- Grafito
- Lápiz
- Tinta
Medidas: 140 ancho x 140 alto cm.
Año: 2018
faro, pendulo, pendulum, huevo, egg, nido, nest, cuerda, rope, dinamita, dinamite, nube, cloud The pyramidal image represents the movement of a Pendulum. The regular oscillation. Go back and forth from one extreme to the other. Niversu uses It is this pendulum oscillation, it consists of a frequency. Niversu represents this frequency graphically in the image of a radial pattern, and is the main organizing structure of the figure. In the converging part of the pendulum, a headstock of a stringed instrument emerges, a guitar recalls the sensory and emotional motor of vibrations and frequencies.
The Pendulum is an analogy to SCHOPENHAUER's thesis, in which it is argued that nature and the human character is pendular, Human beings constantly go from pain (suffering) to tedium (boredom). Therefore, this pendulum raises a binomial. They are pairs of moods, which are related by "coincidentia oppositorum" that explain how thought acts. As FOCAULT maintains, they are two sides of the same phenomenon or of “the same coin”. Once again it is a hymn to Duality, a leitmotif of Blagui's drawings.
Some of the main correspondences derived from this binomial are: from challenge (challenge) to convenience (comfort), in NIETZSCHE's thought: the Apollonian (eternal) and the Dionysian (ephemeral). In the thought of STUART MILL: Tranquility (routine) and Stimulus (agitation). And in the dualisms of DELEUZE, DERRIDA AND HEIDEGGER.
Other important parallels are found in the theory of complex systems: Equilibrium (Rigidity and inflexibility of robotic behavior, closed system and death), and Imbalance (Flexibility schizophrenic chaos. Open, adaptive system and life)
According to HEGEL's dialectic, the slave does not risk, he does not gamble for fear of death... the master is the one who risks and is the one who ultimately wins or loses, for this reason he suffers and suffers, lives in danger.
What is there between one extreme and the other? How one goes from an opposite world to an opposite one. And of all those multiple nuances that occur in the interval. The radial pattern uses the odd number to trace 13 (11+2) modules, reserving a central (neutral) module, assigned to the inflection point in the transformation process.
Another secondary pattern is added to the background, emphasizing the direction of the transition from opposites (white to black) but gradually. The white on the left is the world or territory of boredom (rest), and the black on the right is the world or territory of pain (movement). White is the color of the passive and calm, it is pure, but it is also weak. Its opposite colors are black associated with disturbance and agitation, action, will, associated with strength and red associated with Power, together with its shades of orange and yellow.
A third linear pattern is added to the circles (balls) that finish off the divergent bars, at the lower end of each module. Tracing horizontal lines, associated with the passive principle, evolving until almost reaching the vertical lines, associated with the active principle. Similar to the graphical representation of measuring instruments with seismographs or electrocardiograms.
To express the contrast, in the left hemisphere of the drawing, assigned to the territory of stability, icons representing its attributes are grouped: The nest has a special meaning, it is the paradigm of comfort and stability. Losers haven. The loser only does things (temporarily) to lessen the pressure, not to meet the challenge. The chains are the prison, of those who are not capable of emancipation. Eggs are a START, never an end. Clouds are dreams, unfulfilled, and also the soft cotton of comfort. the pawn in chess.
In the right hemisphere, on the contrary, the territory of free decisions, the abyss is the paradigm of metamorphosis and risk: It represents leaving the comfort zone towards something unknown and unpredictable. The abyss is anguish. Precipice or place of great depth in which the bottom cannot be seen. Deep part of thought or soul that is unfathomable or incomprehensible.
The alerts, the alarms, the announcements, the chimes, the start of a race. The scars of failed attempts.
The spiral. when you enter it, you are no longer the same. The challenge implies a sacrifice (loss), something is left, to achieve something better, a risk is assumed, and this causes suffering. Checkered flags of triumph, to indicate the end of a race, are the icons of the goal, of the end. It is said that finishing processes, the FINALS, is always an act of maturity. The endings come sooner or later, but it is inescapable and something cardinal in this life. The Lighthouse is a metaphor for the support to guide ships, companies, boats at night, to be able to see and move in the dark, in the unfathomable. The skull is a warning sign of death. The laurels are the crown of the one who overcomes fears (demons). The explosive is pure risk. The King in chess.
The Pendulum is an analogy to SCHOPENHAUER's thesis, in which it is argued that nature and the human character is pendular, Human beings constantly go from pain (suffering) to tedium (boredom). Therefore, this pendulum raises a binomial. They are pairs of moods, which are related by "coincidentia oppositorum" that explain how thought acts. As FOCAULT maintains, they are two sides of the same phenomenon or of “the same coin”. Once again it is a hymn to Duality, a leitmotif of Blagui's drawings.
Some of the main correspondences derived from this binomial are: from challenge (challenge) to convenience (comfort), in NIETZSCHE's thought: the Apollonian (eternal) and the Dionysian (ephemeral). In the thought of STUART MILL: Tranquility (routine) and Stimulus (agitation). And in the dualisms of DELEUZE, DERRIDA AND HEIDEGGER.
Other important parallels are found in the theory of complex systems: Equilibrium (Rigidity and inflexibility of robotic behavior, closed system and death), and Imbalance (Flexibility schizophrenic chaos. Open, adaptive system and life)
According to HEGEL's dialectic, the slave does not risk, he does not gamble for fear of death... the master is the one who risks and is the one who ultimately wins or loses, for this reason he suffers and suffers, lives in danger.
What is there between one extreme and the other? How one goes from an opposite world to an opposite one. And of all those multiple nuances that occur in the interval. The radial pattern uses the odd number to trace 13 (11+2) modules, reserving a central (neutral) module, assigned to the inflection point in the transformation process.
Another secondary pattern is added to the background, emphasizing the direction of the transition from opposites (white to black) but gradually. The white on the left is the world or territory of boredom (rest), and the black on the right is the world or territory of pain (movement). White is the color of the passive and calm, it is pure, but it is also weak. Its opposite colors are black associated with disturbance and agitation, action, will, associated with strength and red associated with Power, together with its shades of orange and yellow.
A third linear pattern is added to the circles (balls) that finish off the divergent bars, at the lower end of each module. Tracing horizontal lines, associated with the passive principle, evolving until almost reaching the vertical lines, associated with the active principle. Similar to the graphical representation of measuring instruments with seismographs or electrocardiograms.
To express the contrast, in the left hemisphere of the drawing, assigned to the territory of stability, icons representing its attributes are grouped: The nest has a special meaning, it is the paradigm of comfort and stability. Losers haven. The loser only does things (temporarily) to lessen the pressure, not to meet the challenge. The chains are the prison, of those who are not capable of emancipation. Eggs are a START, never an end. Clouds are dreams, unfulfilled, and also the soft cotton of comfort. the pawn in chess.
In the right hemisphere, on the contrary, the territory of free decisions, the abyss is the paradigm of metamorphosis and risk: It represents leaving the comfort zone towards something unknown and unpredictable. The abyss is anguish. Precipice or place of great depth in which the bottom cannot be seen. Deep part of thought or soul that is unfathomable or incomprehensible.
The alerts, the alarms, the announcements, the chimes, the start of a race. The scars of failed attempts.
The spiral. when you enter it, you are no longer the same. The challenge implies a sacrifice (loss), something is left, to achieve something better, a risk is assumed, and this causes suffering. Checkered flags of triumph, to indicate the end of a race, are the icons of the goal, of the end. It is said that finishing processes, the FINALS, is always an act of maturity. The endings come sooner or later, but it is inescapable and something cardinal in this life. The Lighthouse is a metaphor for the support to guide ships, companies, boats at night, to be able to see and move in the dark, in the unfathomable. The skull is a warning sign of death. The laurels are the crown of the one who overcomes fears (demons). The explosive is pure risk. The King in chess.
Obra Original
Pieza Única
Incluye Certificado de autenticidad
Envío y políticas
Ubicación del artículo: SPAINEnvía a Todo el mundo
Normalmente se enviará en un plazo de 5-10 días laborables desde que se haga efectivo el pago.
0
Favoritos
Favoritos
61
Visitas
Visitas
Publicado en ARTEnet desde: 19 Abril , 2024
-
Detalles de la obra original
- Grafito
- Lápiz
- Tinta
Medidas: 140 x 140 cm.
Año de creación : 2018Estilo / Tema
Temática: SurrealismoResumen
faro, pendulo, pendulum, huevo, egg, nido, nest, cuerda, rope, dinamita, dinamite, nube, cloudDescripción
The pyramidal image represents the movement of a Pendulum. The regular oscillation. Go back and forth from one extreme to the other. Niversu uses It is this pendulum oscillation, it consists of a frequency. Niversu represents this frequency graphically in the image of a radial pattern, and is the main organizing structure of the figure. In the converging part of the pendulum, a headstock of a stringed instrument emerges, a guitar recalls the sensory and emotional motor of vibrations and frequencies.
The Pendulum is an analogy to SCHOPENHAUER's thesis, in which it is argued that nature and the human character is pendular, Human beings constantly go from pain (suffering) to tedium (boredom). Therefore, this pendulum raises a binomial. They are pairs of moods, which are related by "coincidentia oppositorum" that explain how thought acts. As FOCAULT maintains, they are two sides of the same phenomenon or of “the same coin”. Once again it is a hymn to Duality, a leitmotif of Blagui's drawings.
Some of the main correspondences derived from this binomial are: from challenge (challenge) to convenience (comfort), in NIETZSCHE's thought: the Apollonian (eternal) and the Dionysian (ephemeral). In the thought of STUART MILL: Tranquility (routine) and Stimulus (agitation). And in the dualisms of DELEUZE, DERRIDA AND HEIDEGGER.
Other important parallels are found in the theory of complex systems: Equilibrium (Rigidity and inflexibility of robotic behavior, closed system and death), and Imbalance (Flexibility schizophrenic chaos. Open, adaptive system and life)
According to HEGEL's dialectic, the slave does not risk, he does not gamble for fear of death... the master is the one who risks and is the one who ultimately wins or loses, for this reason he suffers and suffers, lives in danger.
What is there between one extreme and the other? How one goes from an opposite world to an opposite one. And of all those multiple nuances that occur in the interval. The radial pattern uses the odd number to trace 13 (11+2) modules, reserving a central (neutral) module, assigned to the inflection point in the transformation process.
Another secondary pattern is added to the background, emphasizing the direction of the transition from opposites (white to black) but gradually. The white on the left is the world or territory of boredom (rest), and the black on the right is the world or territory of pain (movement). White is the color of the passive and calm, it is pure, but it is also weak. Its opposite colors are black associated with disturbance and agitation, action, will, associated with strength and red associated with Power, together with its shades of orange and yellow.
A third linear pattern is added to the circles (balls) that finish off the divergent bars, at the lower end of each module. Tracing horizontal lines, associated with the passive principle, evolving until almost reaching the vertical lines, associated with the active principle. Similar to the graphical representation of measuring instruments with seismographs or electrocardiograms.
To express the contrast, in the left hemisphere of the drawing, assigned to the territory of stability, icons representing its attributes are grouped: The nest has a special meaning, it is the paradigm of comfort and stability. Losers haven. The loser only does things (temporarily) to lessen the pressure, not to meet the challenge. The chains are the prison, of those who are not capable of emancipation. Eggs are a START, never an end. Clouds are dreams, unfulfilled, and also the soft cotton of comfort. the pawn in chess.
In the right hemisphere, on the contrary, the territory of free decisions, the abyss is the paradigm of metamorphosis and risk: It represents leaving the comfort zone towards something unknown and unpredictable. The abyss is anguish. Precipice or place of great depth in which the bottom cannot be seen. Deep part of thought or soul that is unfathomable or incomprehensible.
The alerts, the alarms, the announcements, the chimes, the start of a race. The scars of failed attempts.
The spiral. when you enter it, you are no longer the same. The challenge implies a sacrifice (loss), something is left, to achieve something better, a risk is assumed, and this causes suffering. Checkered flags of triumph, to indicate the end of a race, are the icons of the goal, of the end. It is said that finishing processes, the FINALS, is always an act of maturity. The endings come sooner or later, but it is inescapable and something cardinal in this life. The Lighthouse is a metaphor for the support to guide ships, companies, boats at night, to be able to see and move in the dark, in the unfathomable. The skull is a warning sign of death. The laurels are the crown of the one who overcomes fears (demons). The explosive is pure risk. The King in chess.
-
Envío:
Ubicación del artículo: SPAIN
Envía a- España
- Todo el mundo
Gastos de envío España: 100 EUR
Gastos de envío Mundo:500 EURTiempo de manipulación para envíos:
Normalmente se enviará en un plazo de 5-10 días laborables desde que se haga efectivo el pago.
Comprar "PENDULO"
Precio: 3.000 EUR
Precio: 3.000 EUR
Si estas interesado o quieres más información sobre esta obra, ponte en contacto con "Waltes Niversu" (ARTEnet recibirá copia del mensaje).
Contactar con el artista
Detalles de envío
Ubicación del artículo: SPAIN
Envía a
Gastos de envío España: 100 EUR
Gastos de envío Mundo: 500 EUR
Envía a
- España
- Todo el mundo
Gastos de envío España: 100 EUR
Gastos de envío Mundo: 500 EUR
Tiempo de manipulación para envíos:
Normalmente se enviará en un plazo de 5-10 días laborables desde que se haga efectivo el pago.Formas de pago y Políticas
Formas de pago:
Políticas del artista:
Contacta con nuestro Equipo de asistencia
Ponte en contacto con nuestro Equipo de asistencia al cliente.
Preguntas frecuentes:¿Cómo funciona la opción Hacer oferta?
¿Cómo compro un artículo en ARTEnet?
Ir al Centro de ayuda
El icono de Artista Verificado indica que "Waltes Niversu" ha completado con éxito el sistema de verificación de ARTEnet para establecer su identidad con nosotros. Además, proporciona un servicio al cliente del más alto nivel junto con envíos rápidos.
Envía los artículos rápidamenteProporciona un servicio al cliente de la más alta calidad
Recibe las valoraciones más altas por parte de los usuarios
Contacto y políticas de Waltes Niversu
Lo sentimos pero esta función aún no está disponible. Estamos recolectando estadísticas sobre el interés del comprador.
Por ahora, póngase en contacto con el vendedor.